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Nani Kīlauea.
Photo: Kīhei de Silva


‘O ka lale au o Kaiona
I nonoho i ka malu ‘ohai
I am the sweet voiced bird of Kaiona
Who dwells in the ‘ohai shade


The mythical lale, a bird for which we have no other name or referent, is remembered in chant and story for the beauty of its song. Lale also means “to encourage, urge, stir to action.” Kaiona, the benevolent goddess of the Wai‘anae Mountains, served as inspiration for the best known of Bernice Pauahi’s chant names – Ka Wahine Hele Lā o Kaiona, The Woman Who Walks in the Sunlight of Kaiona.


Ka Lale o Kaiona is dedicated to intelligent discussion of Hawaiian poetry and to a renewed understanding of the words to which the lale of our kūpuna gave sweet voice. We feature four mele in each four-month volume of our forum: their texts, translations, backgrounds, and interpretations. We encourage you, in turn, to contribute to this discussion with thoughts, connections, critiques, and memories of your own.

We hope that our dialog will help to correct an egregious flaw in the conventional, classroom wisdom of our day: that mele Hawaiʻi belongs to a second-class literature unworthy of serious study and appreciation. It is, in fact, helu ‘ekahi: rich, deep, and wonderfully nourishing. It is the beloved poi ‘uoʻuo that feeds our naau and sustains the nexus of our Hawaiian intellect and emotion.

 


Photo: Baker - Van Dyke Collection.

Hole Waimea

Mary Kawena Pukui’s definitive explanation of "Hole Waimea" appears in the liner notes to Kuluwaimaka’s kepakepa rendition of the mele on the LP Nā Leo Hawai‘i Kahiko. Pukui identifies the Kīpu’upu’u warriors of Waimea as the haku of this composition; in it, they honor their ali’i Kamehameha and describe their spear-making activities in the forest of Mahiki.

Read the complete essay >>




Photo: Kīhei de Silva

Hana Waimea
"Hana Waimea," like its better-known companion chant "Hole Waimea," honors the people of Waimea, Hawai‘i, who gave to Kamehameha I the famed "Kīpu‘upu‘u," a company of 1200 runners and spear fighters named for the beloved, icy-cold rain of their homeland.

Read the complete essay >>



Photo: HSA


 
   

He ‘Ai na ka Lani
Hui Hānai suggests that Lili‘u composed this mele for one of two events in Kalākaua’s reign: his return, in 1881, from his tour of the world, or his change of residence, in 1888, from Honolulu to Kailua, Hawai‘i. Her mele describes the special foods that were prepared on these significant occasions, the cherished friends who served them, and the respectful silence that traditionally accompanied the royal meal.

Read the complete essay >>



Photo: Courtesy of Kaha‘i Topolinski


Lei ‘o Kohala
Kohala people of times past were accustomed to describing themselves as "Kohala i ka unu pa‘a -- Kohala of the solid stone." This was not so much a reference to the geology of their land as it was to the obstinacy of thought for which they were famed. The descendents of Mahi did not easily change their minds or ways; they held themselves pa‘a with figurative wedges of solid stone.

Read the complete essay >>
 




   
     

 


 


     

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